Research projects

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Cultures of Care

A central focus for my research is the theme of 'care'. I have written about creativity as a structured practice of care, and about the importance of caring for the cultural freedom of children and young people in cultural education. I also see care as centrally informing research on creative economies.


In December 2020 I was awarded funding to support a new project exploring 'Cultures of Care'. The premise of this project is that as we understand (visibilise and value) contemporary care work – work that is focused on child-care, domestic care, health care, social care, care for the elderly, and palliative care – we also come to visibilise and value the role of care in respect of all productive and ‘good’ work. This is not to relativise care work, nor to appropriate the language of care for neoliberal ends; it is not an exercise in ‘care-washing’. Rather, it is to offer an alternative complementary tactic that responds to the 'crisis of care' – one that seeks to avoid an unintended positioning of care work against other forms of work, and instead recognises, supports and enables cultures of care everywhere, in all walks of life. In so doing, the value of the vital life-sustaining role of care workers – be they working with children, families, patients, elderly or the dying – will be properly recognised. More than this, such work will also come to be visibilised and valued in and across our institutions, organisations, industries and society as a whole.


Cultures of Care asks questions about the nature of care itself. Our starting point is:


Culturesour systems of value recognition

Carethose practices that maintain, continue and/or repair our world in order to live as well as possible, requiring the ability to see/hear others’ needs and to take responsibility to fulfil these needs

Cultures of carethe cultures we reproduce and transform everyday that enable us to care and be cared for


I am currently working on a large-scale research project funded by EU Horizon 2020 - titled Developing Inclusive and Sustainable Creative Economies (DISCE). This is a three-year study with partners, including the University of Turku, Finland (as Principal Investigator), Gran Sasso Science Institute in Italy, Stockholm School of Economics in Riga, Latvia, the Brussels-based culture and media agency Cumediae, and the network of cultural centres across Europe: Trans Europe Halles, based in Sweden. There are 6 work packages in total, including identification and mapping of the CCIs across Europe, a focus on earning logics and business models – and in respect of our team from King’s College London, we are particularly focusing on the creative workforce, skills and education, and re-thinking inclusive and sustainable growth. I am leading Work Package 5 - on 're-thinking inclusive and sustainable creative economies'. In particular, this is challenging notions of what counts as the 'creative economy', as 'growth' and as 'cultural development'. Re-thinking Inclusive & Sustainable Growth for the Creative Economy: A Literature Review (Wilson et al., 2019) is available to download on the DISCE.EU website.

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Human Development and Capability

Supporting my research in DISCE and elsewhere, I've drawn on Amartya Sen's and Martha Nussbaum's extensive work on capabilities. In 2017 I made 'The case for cultural capability' at the HDCA conference in Cape Town, South Africa. More recently, I gave a paper at the 2019 HDCA conference, London (September 9-11, 2019), titled: 'Connecting Capabilties: A Reason to Value (Aesthetic) Experience'. This is available to read here.

Towards Cultural Democracy: Promoting Cultural Capabilities

Towards cultural democracy: promoting cultural capabilities for everyone is the final report of King’s fourth Cultural Enquiry. On the basis of a 15-month research project, it presents a timely and distinctive vision of how to build a cultural life for the UK that is valuable for everyone, and made by all.  

At the heart of the report is a call for a radical but pragmatic new approach to understanding and enabling cultural opportunity. It is argued that cultural opportunities are comprised of a far broader range of freedoms than access to already existing publicly funded arts – the primary focus of current cultural policy.

 

Download a One Page Summary Here

Cultural Learning Ecology in Harrow

A New Direction (AND)  commissioned this  piece of research looking into children and young people’s engagement with arts, culture and creativity in Harrow. This project involved a range of fieldwork designed to help AND & local stakeholders better understand the borough’s cultural learning ecologies.

Network for Art-Based Learning & Education (nABLE)

The research network for Art Based Learning & Education responds to the growing interest in art(s) based and creative practice assessment, and what has been termed ‘arts based research’ – described as “an effort to extend beyond the limiting constraints of discursive communication in order to express meanings that otherwise would be ineffable” (Barone & Eisner, 2011:1). By drawing attention to ‘learning & education’ as opposed to ‘research’ per se, we seek to widen the scope of the network’s activities and interests beyond a re-evaluation of the research process itself, embracing the experience of all those studying, teaching and researching in the Higher Education sector. 

nABLE hosted The Pedagogy of Ambiguity conference at King's College London in December 2015.

64 Million Artists

I worked with 64 Million Artists (formerly 53 Million Artists) on a number of research projects since 2014. These have included an innovation project '33 Thousand Everyday Artists' in 2015-16, and Wilson et al., (2014) 53 Million Artists White Paper, King's College London